Fujifilm GF 250mm f/4 R LM OIS WR
- The FujifilmGF 250mm f/4 R LM OIS WR is a prime lens for Medium Format (MF), compatible with Fujifilm GFX MF mirrorless cameras.
- This lens is available exclusively in the Fujifilm G mount.
- The lens is filterable with 82mm filters, there is the image stabilization and the focus takes place via AF Motor (Linear Motor).
- The lens is in production (since 2018 - today).
- Price range*: $$$$
- Equivalences**: a 250mm f/4,0 mounted on a Fujifilm Medium Format camera it will have a field of view, a Depth of Field and a "out of focus portion" of the image roughly equivalent to that of a 198mm f/3,2 lens on Full Frame.
---
*Price range - legend: $: <400$ | $$: 400$ - 1000$ | $$$: 1000$ - 2000$ | $$$$: +2000$
**Equivalences - explanation: the concepts of "equivalent focal length" and "equivalent aperture" were born with the aim of allowing similar photos to be taken (in terms of framing and Depth of Field) with two cameras with sensors of different sizes without changing the distance from the subject (otherwise the perspective would also change) and placing the Full Frame format as a reference in the equivalence. The "equivalent focal length" helps the photographer to understand what field of view it will have (i.e. what the lens + camera combination can see and capture) and consequently what is the equivalent angle of view. The "equivalent aperture" helps the photographer to understand the equivalent Depth of Field (DoF) and how much "out of focus portion" the image will have. The equivalent "mm" are obtained by multiplying the focal length by the crop factor of the camera used [FUJIFILM MEDIUM FORMAT: 0.79x] and in a similar way the equivalent "f/" aperture is calculated. It is important to remember that a lens NEVER changes its physical characteristics, a 250mm f/4 always remains a 250mm f/4, regardless of whether it is mounted on Full Frame, APS-C, Medium Format and so on. ONLY the field of view changes. Exposure is also independent of the sensor format, so regardless of the sensor format of the camera on which the lens is mounted (as long as the lens can be mounted on multiple formats), with the same aperture, the shutter speed and ISO will also be the same.
Specifications
COMPATIBLE MOUNT
Fujifilm G
Focal length | Angle of view
250mm | 12°
Format
MF
Maximum aperture | Minimum aperture
f/4 | f/32
Aperture
9 blades
Minimum focusing distance
1,4 m (4.59 ft)
Maximum magnification | Reproduction Ratio
0,22x | RR 1:4,5
Image stabilizer
Yes
Focus
AF Motor (Linear Motor)
Filter diameter
Ø82mm
Optical construction
16 elements in 10 groups
Type
Prime lens
Weather sealing
Yes
Lens hood
Supplied
Tripod ring
Yes
Extenders
Supported
Weight | Dimensions (diameter x length)
3.14 lb | Ø4.25″ x 8.01″
Other features
- 2 focus range limitations: FULL range | 5m-∞
- Full-time manual focus: the lens can be manually focused even when in autofocus mode (AF), however the "AF+MF" setting must be activated in the camera menu [Manual focus via a focus-by-wire system, to work the camera must be turned on]
- Focus control buttons (x4). The button is available in 4 different positions, every 90° along the circumference of the lens
- 1 preset of the focusing distance can be memorized (slide the selector on "PRESET", perform the focus with the lens on the distance you want to store, press the "SET" button)
- Focus selector ("AF-L", focus lock. In this mode by pressing one of the focus control buttons, the focus is locked on the current position; "Preset", once stored one focusing distance, by pressing one of the focus control buttons, the preset focus position is restored; "AF", in this mode the focus control buttons will perform the same function as the camera AF-ON button)
- Aperture ring with aperture ring lock. Press it while rotating the aperture ring to select manually the aperture values. In addition to the f/ values can also be set "C" (to set the aperture to the value chosen with the camera command dial) and "A" (to set the aperture to the value chosen automatically by the camera)
- Switch to enable/disable the Optical Image Stabilization (OIS)
- Hood with filter window. It allows to comfortably use circular polarizers and variable ND
MTF chart
The MTF (Modulation Transfer Function) chart is useful for having an objective representation of the contrast and resolution of a lens from the center to the edges compared to an ideal system. Click on the link to view it:
📈📉
(remember that the MTF curves are calculated at full aperture, by closing the aperture basically all lenses are fine)
Video-reviews and Reviews
For obvious reasons this is just a selection of the main and most significant video reviews and reviews available online for the Fujifilm GF 250mm f/4 R LM OIS WR.
If you are interested in this lens, I invite you to find out more by reading the reviews in full / watching the video reviews on the websites / YouTube channels of the respective creators linked here:
Review 1
(Hands-on review of the Fujifilm GF 250mm f/4 R LM OIS WR with samples, even at full resolution)
Review 2
(Well-structured analysis with samples of the Fujifilm GF 250mm f/4 R LM OIS WR)
Review 3
(Well-structured analysis with samples, even at full resolution, of the Fujifilm GF 250mm f/4 R LM OIS WR)
Review 4
(Another well-structured analysis with samples of the Fujifilm GF 250mm f/4 R LM OIS WR)
Notes:
- Always view / read reviews with a critical attitude, remembering that the various evaluations must be parameterized with each other by the date the lens was tested and with which camera the lens was reviewed. A 20-year-old lens considered excellent on today's dense sensors will probably still be very good, but it is equally likely that in terms of contrast and resolution it has now been surpassed by more modern lenses.
- Reviews, although really useful for getting a general idea of a lens without ever having tried it directly, are not an exact science. If you just look at the numbers and the negatives there are some lenses that with all their flaws appear to be pure rubbish. Some are actually really poor, but for others there may be precise design choices behind them to obtain a certain rendering of the blur or performance / size ratio otherwise impossible to have if the lens were perfectly corrected for vignetting, distortion, Chromatic Aberration, Spherical Aberration, astigmatism and so on.
- The good intention is to keep all the links working, but if that is not the case I thank those who will report the broken ones. Everything on the web is by its nature not lasting. Modifications and deletions of contents are not rare and especially for the older lenses, a lot of history is being lost. Thanks for the collaboration! :)
PROS and CONS
Brief summary of the main PROS (✅) and the related CONS (❌) for the Fujifilm GF 250mm f/4 R LM OIS WR highlighted in the various video-reviews and online reviews:
✅ PROS
Really excellent overall image quality as well as build, with a quick and quiet autofocus motor and an efficient image stabilizer
❌ CONS
Demanding weight and price
---
*Important note: most mirrorless lenses are designed to be "helped" via software with "lens corrections" (applicable directly in the camera and/or post-production software, e.g. Adobe Lightroom), it is not really a cons, but it's good to know. The function completely corrects or, if it is not possible, only partially: vignetting, distortion, CA (Chromatic Aberration), ...